SUBTLE SEQUENCE OF REVELATION (The Australian Ballet - 2002)

"Design contributes significantly to this work. John Rayment's lighting supports the subtle interplay of bodies..."

The Age

LULU (Opera Australia - 2003)

" Rayment's lighting is powerful and imaginative."

The Australian


"As if to signify her place in this firmament, during the heart-stopping liebstod, John Rayment's subtle lighting bathed her in a net of marine blue, creating one of those coups de theatre that sear the memory."

The Australian

ROMEO & JULIET (Royal New Zealand Ballet)

"...outstanding collaboration between lighting designer, John Rayment and set & costume designer, Tracy Grant"

Sunday Star Times

"A great joy of this Romeo is the design and lighting - exemplary..."

Dancing Times, UK

WALKING WITH DINOSAURS - The Live Experience (Global Creatures - 2006, and till going strong 2011)

"Lighting design...a collage of delicate ferny shadows along the stadium floor, was quite beautiful"

"...and a light show worthy of a Pink Floyd concert!"
Boston Globe

"...a stunning lighting design...almost as good to watch as the dinosaurs."
Brisbane Courier Mail

LA BOHEME (Opera Australia - 2011)

"...dazzlingly lit"
Crikey .com

"John Rayment's lighting [a powerful] underscore..."
The Australian

LA TRAVIATA (Opera Australia: Handa Opera on Sydney Harbour - 2012)

"...imaginative lighting designs..."
The Australian

"...supremely creative lighting...pristine lighting design..."
Simon Paris - Theatre People

CARMEN (Opera Australia: Handa Opera on Sydney Harbour - 2013)

"From lighting designer, John Rayment you get one of the country’s best (in great modesty) ‘serving’ the work of the other creators...the lighting is incredibly spectacular, but it never serves itself."
Kevin Jackson

"...dynamically lit by John Rayment..."
The Daily Telegraph

"The work of lighting designer John Rayment can only be described as nothing short of miraculous...consistently beautiful..."
Simon Paris - Theatre People

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